- Clip 01
- Motion graphics
- 2026
Monsoon Edit
A rain-soaked brand sting: kinetic type with weather as the rhythm, built to loop on a homepage and cut down for Reels.
Role Concept, design, animation
Format 16:9 · 0:20
Type Sample project
Motion graphics designer & video editor
Open to freelance & studio roles
Farzana — Motion Graphics Designer & Video Editor
Cut on the beat.
Move with a reason.
I’m Farzana, a motion graphics designer and video editor in Bangladesh. I turn raw footage, scripts and brand assets into motion pieces, edits and social content that hold attention past the first three seconds and say something once they have it.
Format 25 fps · 16:9 · 9:16 · 4:5 · 1:1
Leads with Motion graphics, video editing
Local time –:– GMT+6
Sc. 02 — Screening room
Selected work,
lights down.
Motion graphics, edits and social content, each shown in the format it was made for. Hover a clip to scrub through it. Click to play.
00:00:00:00
00:00:18:00
- Clip 02
- Video edit
- 2026
Long Story Short
A forty-minute interview cut into a two-minute story. Structure first, then sound, captions and grade.
Role Edit, sound, colour
Format 16:9 · 2:00
Type Sample project
- Clip 04
- Explainer motion
- 2025
Ledger
An explainer where the data animates in the order you would explain it out loud, one idea per beat.
Role Storyboard, design, animation
Format 16:9 · 1:00
Type Sample project
- Clip 07
- Social campaign
- 2025
Launch Week
A week of static posts and stories built on one system, so day five still looks like day one.
Role Art direction, static design, scheduling
Format 1:1 + 9:16 · 9 assets
Type Sample project
- Clip 03
- Short-form
- 2026
Night Bus
A vertical micro-story with word-by-word captions, cut so it still lands with the sound off.
Role Edit, captions, motion
Format 9:16 · 0:30
Type Sample project
- Clip 05
- Carousel
- 2025
Six Slides
An infographic carousel designed as one sequence, so every swipe pays off.
Role Design, layout, copy edit
Format 4:5 · 6 slides
Type Sample project
- Clip 06
- Kinetic type
- 2025
Move
A self-initiated typographic loop exploring weight, width and timing.
Role Design, animation
Format 1:1 · 0:08 loop
Type Self-initiated
All projects shown are sample placeholders for layout review · Final work to be added
Sc. 03 — Tracks
Motion and edit lead.
Social runs underneath.
Most projects need more than one skill. I can animate the launch film, cut it down for every platform, design the carousel that goes with it and keep the feed on schedule. Open a track to see what’s included.
Motion graphicsKinetic type · brand motion · explainers
Animated brand systems, logo stings, kinetic typography, explainers and lower thirds, all designed to be read at speed. I start with styleframes, so you approve the look before anything moves.
- Brand motion
- Kinetic type
- Explainers
- Logo stings
- Lower thirds
- Animated infographics
Video editingStory · pacing · sound · colour
Story-first editing for interviews, brand films, events and product videos. I find the structure, set the pace, clean up the sound, balance the colour and add captions that people actually read.
- Interviews
- Brand films
- Event recaps
- Cutdowns
- Subtitles
- Colour & sound polish
Short-form & ReelsHooks · captions · native formats
Reels, Shorts and Stories built for the first second and the muted autoplay. Every long piece can come back as a set of vertical cuts.
- Reels
- Shorts
- Stories
- 9:16 · 4:5 · 1:1
- Animated captions
Social designCarousels · infographics · statics
Carousels, infographics and static posts that make one idea easy to swipe through. I can build bespoke designs or flexible Canva templates your team can keep using.
- Carousels
- Infographics
- Static posts
- Canva templates
- Campaign sets
Social media managementCalendars · posting · reporting
Content calendars, a steady posting rhythm and simple monthly reporting, so the creative actually ships and you can see what worked.
- Content calendars
- Scheduling
- Community basics
- Monthly reporting
Sc. 04 — Behind the timeline
I learned attention
on the feed.
Now I design for it.
My background is in social media: planning posts, building carousels and keeping feeds alive. That’s where I learned how quickly people decide whether to stay.
Motion and editing are where that instinct turned into a craft. I care about the cut that lands on the beat, the caption that carries the story with the sound off, and the animation that explains something faster than a paragraph could. I work remotely with clients anywhere, from Bangladesh (GMT+6).
Cut for meaning
Every shot has to earn its place. If it doesn’t move the story, it goes.
Move with a reason
Animation should guide the eye and explain the idea. It should never just decorate.
Design for the thumb
Small screens, sound off, a busy feed. I design for how people actually watch.
How a project runs
In · 00:00
Brief call
We talk through goals, audience, platforms and deadlines. You leave with a clear scope.
00:10
Styleframes & rough cut
You approve the look, pacing and structure before anything is polished.
00:20
Motion & finishing
Animation, sound, captions and colour, with revisions built into the schedule.
Out · 00:30
Delivery
Every version exported for where it’s going: 16:9, 9:16, 4:5 and 1:1.
Sc. 05 — Final cut
Bring the footage.
I'll find the story.
Book a free consultation: a short call about what you’re making, where it will live and when you need it. If I’m not the right fit, I’ll tell you.